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Veglam
Webzine - "Welcome to the Show" Review
The
first thing that came to my mind after listening to ”Welcome
To The Show“ was: “God, why is there only 7 songs on
this CD?” That was probably planned that way, or maybe that
was just because of financial reasons (something I can easily understand),
but this album would have deserved 3 or 4 more songs since these
7 songs sound perfect to my ear that has been pricked up to the
DOLLS and the RAMONES music (but that also has detected a connection
to Australia’s ANGEL CITY here…) Many musicians are
involved in this project but the band evolves around the duo Vince
and Lauren and their vocal exchanges reminded me a bit of Freddy
Lynxx and Big G on “The Courageous Cat” (“Tiara
Blues”, “Snake Charmer”), something that can’t
leave me indifferent. 6 original songs and an awesome cover of “Trash”
make of “Welcome To the Show” the ideal album for those
who don’t know much about the universe of The Artist Formally
Known As Vince. I must confess that I’m one of them but I’m
going to change that as soon as possible.
--
Franckie. |
The
Artist Formally Known As Vince "Welcome to the Show"
from
Amplifier Magazine
TAFKAVince
& Lauren’s Another Space In Time was one of the best records
of 2006 that you never heard if you didn’t pay attention to
Amplifier or the Chicago Sun Times. Well, the good news is Vince
and his merry, rocking pranksters are back in the saddle with the
delightfully ramshackle, irreverent Welcome To The Show. Their modus
operandi remains the same: brash guitars brimming with mangled Chuck
Berry licks (Al Rodis, R. Fish Carpenter, Tony Manno), thudding
bass-lines (Clay Thompson), and a relentless back-beat (Brian Chinino)
rendered with a decidedly fuck-all attitude. Vamps, tramps and scamps
emerge as the libretto in the frenetic “Bimbo Du Jour”
- a cut that could possibly revive Cher’s career should Vince
have the moxie to pitch it to her management. Proclaims The Artist
in his well-honed Lizard King persona “I’m the snake
charmer, dance for me….revel in the glamour” as his
ingénue (that’s how she’s officially credited)
co-vocalist Lauren Kurtz purrs repetitively in her best Siouxsie
Sioux quiver “…it’s your destiny...it’s
your destiny.” Kurtz steals the Show once again in the slinky
“Tiara Blues,” a sordid tale of sartorial debauchery.
Though it’s over in a flash (seven cuts) you will find no
better rock band working in America today.
--Tom
Semioli |
TAFKAVince
& LAUREN - Another Space in Time ... from amplifiermagazine.com
Chicago
folk duo TAFKAVince (The Artist Formally Known As Vince) & Lauren
emerge as sly coffee-house pop purveyors on this wonderfully warm
and wicked self-release. With Vince on guitar/vocals and singer
Lauren Kurtz, intertwining melodies creep into your psyche like
a good narcotic. Here's the skinny: "5 Days" with a full
band would be Blondie produced by Phil Spector. If you fell for
Dylan and Baez (in a documentary of course, no one is that old!)
look no further than the lovelorn duet "Straight & Narrow."
Vince's punky strumming and Marty Balin-esque phrasing fuels the
frenetic love torn "Bulletproof." Kurtz hits a sweet high-register
in the noble dirge "Big Magnet." The Monkees could have
recorded "Folk Song," ably abetted by Tony SanFilippo's
trippy vibraphone. "Hangin' Around" has an exceptional
Beatles / Byrds vibe that would do Beechwood Sparks proud. Closing
with the haunting ballad "Missed You," TAFKAVince &
Lauren prove that not all the best artists have record deals. Yet.
--Tom Semioli |
The
Artist Formally Know As Vince "At Last" ... from the Chicago
Suntimes
"Get down on your knees/Bow down" sings T.A.F.K.A.V.
(as he abbreviates his so-dumb-it's-brilliant moniker) on "Goin'
Hollywood" one of 11 flashy, trashy, glam rock gems delivered
by this makeup-sporting goofball. As a whole, the album doesn't
quite warrant that level of devotion. But it has spark and
style nonetheless"
-- Jim Derogatis . . . . 2 1/2 stars |
The
Artist Formally Know As Vince "At Last" ... from Amplifier
Magazine
This TAFKAV may not be lovesexy, but he certainly has a dirty
mind.
Resembling Detroit proto-punks such as the Stooges, Brownsville
Station, MC5 and their
numerous multigenerational offspring that continue to blaze the
pop terrain, Vince captures
the raucous spirit of garage rock via this lo-fi, high-energy outing.
Embracing sleaze, rebellion and a party-hearty spirit, the Artist
bares his soul in a splendid collection of libidinous anthems and
self-effacing diatribes. "Going Hollywood" would serve
well as a soundtrack to a Guns N' Roses cartoon by way of defiantly
bacchanalian kitsch lyrics and uncompromising power chords. Celebrating
the holy trinity of sex, drugs and rock 'n' roll, "Their Daughter,"
which also appears as a bonus video, crystallizes every suburban
parent's nightmare of teenage lust gone awry. Shoe-gazing in "All
of My Life," a Velvet-y Underground track, or waxing sympathetic
in "Party," a warped rambling country-tinged boogie-woogie
cut that bemoans the loss of youth with nary a tear or regret, TAFKAV
cuts through all the rock star sloganeering and spits out the truth
in short, sharp shocks. Topping off the disc with canned applause
and a faux encore, "Big Dumb Rock" is downright whip smart.
--Tom Semioli |
VeGlam
review of "At Last"
Ok, this is a weird name for a rock band but it is quite normal
since this album is a one-man
project. Tafka Vince wrote all the songs on this self-produced/released
CD and got some help from a few members of some Chicago underground
bands to play the instruments. There are various influences in these
11 songs, from CHEAP TRICK to the RAMONES and even
psychedelic rock but the production make them sound more like
a demo than a CD.
Nevertheless, most songs on here are quite enjoyable (from the punky
"goin' to Hollywood"
to the grungy ballad "all of my life". ) I just can't
enjoy the country influenced songs since
I've always hated that musical style. To sum it up, I do appreciate
more the punk pop fun
songs of the album (even though, once again, they deserve a better
production.) You'll also
find some fun in the video for "their daughter" which
is included.
-- Laurent |
The
Artist Formally Know As Vince "At Last" ... from Garage
& Beat #8
Cheesy Rock with the vocals high in the mix. The concept and
the packaging appeals to me,
though, and if you are a fan of campy pop, you might get a kick
out of this. I wonder what
Vince is informally known as. I also wonder if the outfit he is
sporting on the cover is a high
school prom dress. Anyway the CD contains 11 witty and offbeat songs
written by TAFKA
Vince, that I believe are fairly autobiographical, and a video for
one of the songs, "Their
Daughter". The video is priceless! The beefy hero (Vince)
is decked out in makeup, soul
patchand Alice Cooper attire. The other players are a mom and pop
couple and a bountiful
babe. Vince explains, over lots of hugging and kissing, that the
parents' daughter only loves
him in order to piss them off. Cheap fun.
-- P. Edwin Letcher |
SLAM
- Italian Rock Zine Review of "At Last"
The Artist Formally Known as Vince ¾ l'intero nome di questo artista
di Chicago che si ispira
al glam punk dei 70's e al power pop miscelando NEW YORK DOLLS,
CHEAP TRICK, T-REX e
RAMOMES, il risultato ¾ questo "At Last", un CD di 11
pezzi dove il musicista fa praticamente
tutto da se. La produzione suona appena meglio di un demo e le canzoni
ne risentono parecchio anche perch¾ qualitativamente non ci troviamo
di fronte ad un "mostro" di bravura, infatti si ha quasi
la sensazione che Vince non riesca ad elaborare un proprio sound,
rimanendo troppo legato alle sue influenze, e purtroppo per lui,
i nomi da cui attinge sono troppo "ingombranti" non permettendogli
cos³ di fare una gran bella figura.
... canzoni gi– fatte molte altre volte da molte altre band, TAFKA
Vince rimandato alla
prossima uscita perch¾ per i momento non ci siamo proprio. |
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